Hazel Gardiner is working on the Ur digitisation project, continuing the work started in the 1920s and 1930s by archaeologist C. Leonard Woolley. In this blog Hazel Gardiner describes using X-radiography and analysis to unearth the mysteries of a third millennium BC copper-alloy cauldron.
10 February 2017
The project to conserve Dürer’s Triumphal Arch reaches the next stage. Sam Taylor takes technical photographs of the sheets discovering long-hidden details in the handmade paper, delicately unpicks old glue and gives the work a bath.
17 January 2017
Over 50 years ago, excavations near the town of Jericho revealed a mysterious human skull. But it was only recently that Museum researchers have been able to learn more about the person behind the plaster, thanks to modern technology.
9 January 2017
The hidden colours of an ancient Egyptian coffin are revealed through a combination of analysis and non-invasive multispectral imaging techniques. Here Joanne Dyer and Nicola Newman shed light on the process.
6 December 2016
Object Journeys is a new three-year partnership project at the British Museum. Generously funded by the Heritage Lottery Fund the programme will see the Museum support and collaborate with community partners to research and explore ethnographic collections and to work directly with staff towards a gallery intervention in response to these objects.
15 March 2016
In the next part of our blog series on the project to conserve Dürer’s Triumphal Arch, Agnieszka Depta begins the delicate process of removing the print’s fragile linen backing and separating the work into its original 38 sheets.
3 March 2016
Hazel Gardiner is working on the Ur digitisation project, continuing the work started in the 1920s and 1930s by archaeologist C. Leonard Woolley. In this blog Hazel describes one of her current tasks, working on the metal objects and in particular a third millenium copper-alloy cauldron.
16 February 2016
Through the combination of CT scans and archaeological research, the display of a four-metre long mummified crocodile introduces visitors to the beliefs of ancient Egyptians, to whom this mummy was an incarnation of the crocodile god Sobek.
5 February 2016
Bink Hallum and Marcel Marée discuss hieroglyphic texts on display in the Egypt: faith after the pharaohs exhibition and in particular the 18th-century copy of the Book of the Seven Climes.
4 January 2016
Ilana Tahan explains the significance of a selection of fragments from the First Gaster Bible, on display in the Egypt: faith after the pharaohs exhibition.
29 December 2015
3 August 2015
Whilst carrying out a student placement Lauren Buttle, a candidate for a Masters of Art Conservation at Queen’s University in Ontario, Canada, was involved in the first stage of the conservation process of Albrect Dürer’s Triumphal Arch, assisting in cleaning the 3.5 m x 3 m, 16th- century print.
3 July 2015
The project to conserve Dürer’s Triumphal Arch reaches the next stage. Ivor Kerslake and Joanna Russel lset out to take a series of high-resolution images as well as infrared and ultraviolet imaging to reveal information about the work, vital for the next stage in the conservation process.
19 March 2015
In autumn 2014, Albrecht Dürer’s monumental Triumphal Arch went on display in the Asahi Shimbun Display in Room 3 to great success. In this blog, Joanna Kosek, discusses the delicate operation of dismantling such an exhibition.
20 February 2015
Ian Jenkins, Exhibition Curator, at the British Museum is currently working on Defining beauty: the body in ancient Greek art. In this blog Ian discusses the role of nudity and the male body in Ancient Greek society as an expression of social, moral and political values.
19 November 2014
Computer 3D technology is being increasingly adopted in museums to aid with conservation, curatorial research and interpretation. Here Matthew Cock explains how scans of the British Museum’s collection of Assyrian reliefs take by a team CyArk provide a fantastic resource that we can use to help people better understand and engage with these objects.
12 September 2014
In preparation for The Asahi Shimbun Display of Dürer’s paper triumph: the arch of the Emperor Maximilian a team of specialists gathered to move the famous woodcut of the Triumphal Arch by Albrecht Dürer. Joanna Kosek describes how they managed to move and dismantle the print over the course of one night.
21 August 2014
Duygu Camurcuoglu is working on the Ur digitisation project. In this blog Duygu introduces us to the project and describes what her role entails.
14 July 2014
The Early Egypt Gallery (Room 64) has undergone a full-blown refurbishment with new themes and displays throughout. Here Renée Friedman explains some of the highlights of the gallery including the new acquisitions from the site of Jebel Sahaba and the return of the popular virtual autopsy table allowing a deeper look into the Gebelein Man.
3 July 2014
Using a CT scanner to look beneath the surface, Alexandra Fletcher was able to reveal new details about one of the the oldest human remains in the British Museum collection, the Jericho skull.
7 May 2014
As a reaction to the sinking of RMS Lusitania by torpedo on 7 May 1915, German artist Karl Goetz produced the Lusitania medal satirising the subject. Henry Flynn explains the symbolism behind the medal which will be on display in The other side of the medal: how Germany saw the First World War.
19 April 2014
Judith Jesch, Professor of Viking Studies at the University of Nottingham discusses viking women, warriors and Valkyries.
11 April 2014
One of the most recent acquisitions made by the Department of Coins and Medals is a highly unusual object – an ancient punch or ‘die’ used to manufacture coins in the second century BC. Curators Ian Leins and Emma Morris hope the ‘die’ will shed new light on when the first coins were made in Britain.
24 March 2014
Recently, Mary Beard, Professor of Classics at Cambridge University gave a London Review of Books Winter Lecture at the British Museum on the public voice of women today. In this blog Mary discusses whether women had a public voice in Ancient Greece and Rome.
24 January 2014
Irving Finkle discusses the object at the heart of his new book, a cuneiform tablet with a sixty-line passage from the ancient Babylonian Story of the Flood.
26 October 2012
While preparing the Limestone sculpture of Horus, Elisabeth R. O’Connell had a chance to identify some of the pigments that were used on the sculpture. Along with some additional analysis using an innovative imaging technique to detect pigement in areas not visible to the naked eye, the British Museum was able to put together a suggested colour reconstruction. Here Elisabeth discusses the outcome.
14 December 2011
In 2011 when only a few months earlier a hoard of over 90 coins and hacksilver was discovered in Barrow-in-Furness, Cumbria, a second discovery of a Viking silver hoard was unearthed in Silverdale, Lancashire. Ian Richardson talks about what happened when the two Viking silver hoards were discovered..
5 July 2011
Lesley Fitton shares some exciting news around one of the latest additions to The Cycladic Gallery an extremely rare marble figurine of the ‘hunter-warrior’ type.
22 September 2010
John Taylor is the curator of the ‘Journey through the afterlife: ancient Egyptian Book of the Dead‘ exhibition, a hugely popular programme that opened at the British Museum in November, 2010. In this article he expands on one of the most popular and fascinating objects to have appeared: The Ancient Egyptian Book of the Dead.